I never hear a peep from my mannequin, Lindsay, no matter how long she has to stand there
while I drape crochet on her every which way. OK yes, she doesn't have a head, but I think I would know if she grew restless. I'm sure it helps that whenever I make myself a mocha, I make one for her too.
If you haven't tried it (mochas and draping cowls on a patient mannequin), it's worth it! I see
new ways to wrap stitches around a neck and shoulders, and new places to put a button or shawl pin. Like with the one shown here, I wonder about a toggle or two? Or short ribbon ties, or a buckling-latching thing?
Let's "face" it, headless models are not ideal for photographing cowls, so I try to be creative, learning something daily about this kind of accessory.
For example, today I tried dressing the mannequin in a black silk camisole--the opposite of a heavy winter coat, then tried different kinds of cowls on her.
The crochet cowl experiment you see here is all about
the stitch. It's a deliciously spongy double-faced pattern I came up with on my own. In pure bulky wool and a big hook it's
nearly an inch thick!! It's one full 3.5oz/100g skein of Patons Classic Wool Roving (Bulky weight, 120yd/109m). It calls for a USJ/10/6mm crochet hook and I used an M/9mm. I wish I'd gotten a few more rows out of that skein, but it does fit as a 'gaiter'-type cowl more than one way.
The yarn is vivid Christmas red, which
caused my camera to blur the stitches no matter what I did. I had to cool off the red with editing tools just to see the stitches! Then I played around some more to get the version you see here.
Please please leave comments if you have any tips, feedback, commiserating about photographing crochet cowls! It just isn't like photographing other crochet projects.
